Music Alliance Pact July 09

This month sees the eighth Counting The Beat contribution to an exciting international initiative, the Music Alliance Pact. On a monthly basis music bloggers from around the globe select a track from their own country which is then posted collectively and simultaneously on those blogs - giving each nation's track international exposure. This month's Counting The Beat is pleased to be contributing 'Southern Hemisphere Blues' from Urbantramper. For more material from them check out the Urbantramper blog.

NEW ZEALAND: Counting The Beat
Urbantramper – Southern Hemisphere Blues
Urbantramper are a five-piece from Wellington who are part of a loose collective known as Treeninja. The band produce introspective pop songs that reflect an endearing, naive angst about their place in the world. This is a group with a manifesto! They're currently considering issues of music distribution, copyright and the impact of these on the nature of the relationship between musician and audience. Urbantramper have a strong back catalogue and a new album due in September.

AMERICA: I Guess I'm Floating
Spanish Prisoners – Kiss The Lawn Goodbye
Brooklyn's Spanish Prisoners, fronted by Leo Maymind, create fractured power-pop in the vein of The New Porno's Dan Bejar (Destroyer). They're currently working on a new album but in the meantime they've released a free three-song EP - download it here - from which Kiss The Lawn Goodbye is taken.

ARGENTINA: Zonaindie
Mi Pequeña Muerte – La Música Nueva
Mi Pequeña Muerte means "my little death" so you're probably thinking this is not a particularly optimistic band. That was true for Hospital, their 2004 debut album, which was loaded with melancholic indie-rock tunes and moaning vocals. But this is 2009 and believe it or not, the band's third album is called Un Futuro Brillante ("a brilliant future"). Maybe that was just pure irony, but in this new effort they define themselves with shiny sounds and instruments, including horns and Moog synthesizers.

AUSTRALIA: Who The Bloody Hell Are They?
Boat Beam – The Rain Pauly
So it turns out that Josephine of Sparkadia is now in this gorgeously gentle folky trio in Madrid called Boat Beam, and they seem to be kinda popular (check their MySpace). How crazy is that? I could listen to The Rain Pauly for days.

BRAZIL: Meio Desligado
Nancy – Keep Cooler
Five-piece band Nancy have played just a few shows in Brazil and may be more well-known outside the country. They were the first Brazilian band on virtual label RCRD LBL and have been featured on BBC Radio's Introducing programme, showing their soft indie tunes. Nancy's members live in different cities and countries so the band's debut album, Chora Matisse!, was composed on the internet through emails and IM.

CANADA: I(Heart)Music
Rah Rah– I've Got Faith
When I had to submit my ballot for the Polaris Music Prize (think a Canadian version of the Mercury Prize), the one album that was toughest for me to leave off was Rah Rah's amazing Going Steady. As I've Got Faith shows, the band combine the best elements of Broken Social Scene (with the constant sense they're just barely keeping everything together) and Arcade Fire (in its epicness), with the end result being a sound that's all their own.

CHILE: Super 45
Pedropiedra – Sol Mayor
Pedro Subercaseaux has been involved with music for almost a decade. Having explored such diverse styles as cumbia, hip-hop, electronica, pop and rock, he has been part of several projects such as Hermanos Brothers, Tropiflaite, Yaia and CHC, gathering a good amount of success along the way. This year Subercaseaux has decided to release his debut solo album, under the moniker Pedropiedra, in which he demonstrates his great ability to craft catchy pop-oriented melodies.

DENMARK: All Scandinavian
The Works – Live And Direct (featuring Jams F. Kennedy)
It's time to bring some urban tunes to all ye faithful readers of the Music Alliance Pact. Enter The Works aka producers Twelve Beats and Terry Tester, whom I stumbled across quite recently and whose intriguing fusion of hip-hop and electronica I haven't been able to shake off since. Minimalist, yet rich on details. Hardly moving, but always taking you places. Their debut release, Yokohama EP, is out now and streamed in full on their MySpace.

ENGLAND: The Daily Growl
Friendship – The Graveyard Shift
Tired of indie bands showing off their 'African influences'? Well, get ready for one more, although this is done with a lot more bite, distortion and general sense of fun than most.

FINLAND: Glue
Neufvoin – Robot
Neufvoin are an up-and-coming indie band who create beautifully-arranged catchy pop melodies with guitars, synthesizer textures and a few other instruments. Apparently, they also like playing with bots and droids. Robot is taken from their debut Robokop EP, six songs produced by Rubik frontman Artturi Taira that journey many different musical landscapes.

FRANCE: ZikNation
Jessica Fichot – Un, Deux, Trois (1,2,3)
Born in America to a French father and Chinese mother, chanteuse and songwriter Jessica Fichot was raised in France in a multicultural environment. She is a lot like her hometown of Paris: French at heart, but with a soul that's truly international. Her multi-ethnic upbringing colors the songs on her debut album.

GERMANY: Blogpartei
Bonaparte – Gigolo Vagabundo
Bonaparte are a Berlin-based artist collective from all across Europe. Their sparkling weird-folk is powered by Balkan pace and electronic rhythms. Outfitted with crazy costumes, they are one of the most exciting German live acts around.

ICELAND: I Love Icelandic Music
Sudden Weather Change – Prey Mode
Sudden Weather Change are a five-piece rock band from Reykjavik who have been compared to Sonic Youth and Pavement. Prey Mode is taken from their debut album, Stop! Handgrenade In The Name Of Crib-Death 'nderstand, which came out in April on the Icelandic Kimi Records label and will be released in Europe and America in September.

IRELAND: Nialler9
The Holy Roman Army – Elegy
Ireland has already produced its fair share of amazing records so far this year and we can now add The Holy Roman Army's album to that list. How The Light Gets In is the brother and sister duo's debut and it's filled with ambient and electronic flourishes with an organic heart. Perhaps it's not a surprise they are a doctor and a psychologist respectively. Elegy is a perfect example of the band's yearning for something emotional between the city's streets.

ITALY: Polaroid
Iori's Eyes – Anchor
Iori's Eyes are a boy and a girl from Milan who play gentle pop with a dreamy touch. Their music brings together a folk mood and a post-rock background. Their songs sound as fragile and delicate as little toys, but definitely know how to be surprising and poignant. Iori's Eyes just released their debut EP, And Everything Fits In The Yellow Whale, and I can't wait to listen to a proper album.

JAPAN: JPOP Lover
LITE – Ghost Dance
LITE are a Tokyo-based instrumental band who play experimental rock with striking, groove-heavy basslines. Formed in 2003, their spirit is similar to Mogwai, 65daysofstatic, Battles, Toe and Envy. In May, LITE visited America for the first time, going out on tour with legendary bass guitarist Mike Watt.

MEXICO: Club Fonograma
Hello Seahorse! – Universo 2
Hello Seahorse! is the year's most acclaimed Mexican indie band. With their third album, Bestia, the trio have made the transition into a multi-dimensional group with a masterwork under their belt. Bestia shines in between ghosts and hazy sonic beauty, in a universe of its own, and proves Hello Seahorse! have total control over their romanticized and passionate, sublime creations.

NORWAY: Eardrums
Silverdrop – Real Life
It's July, it's summer and it's time for some fresh and shiny indie-pop from Norwegian six-piece Silverdrop. These are definitely sounds for the sunny days and the band's new recordings are even more bouncy and energetic than the songs I've heard from them before. Silverdrop are currently working on their debut album.

PERU: SoTB
Francois Peglau – Spring Lovers Song (Si Tú Quieres)
Francois Peglau's songs do not need much explanation, they just happen. They are simple and beautiful - they could be borne from a whistle on a bus or a nice sunny day with friends. Francois moved to London two years ago and Spring Lovers Song (Si Tú Quieres) is his most recent song.

PORTUGAL: Posso Ouvir Um Disco?
Andrew Thorn – ME Jane
Andrew Thorn is João Pedro Coimbra, a Portuguese composer/musician/producer and founder of the extremely successful duo Mesa. Andrew Thorn is João's way of exploring his creativity beyond Mesa's sound. The debut EP, Brutes On The Quiet, was released independently (Mesa is signed to Sony/BMG) on July 13 and ME Jane is the first authorized download by the artist and a MAP exclusive.

ROMANIA: Babylon Noise
Melting Carousel – Several Other Universes
Melting Carousel are an indie-pop band from Timisoara with an eclectic approach, ranging from alternative pop to jazz.

SCOTLAND: The Pop Cop
Maple Leaves – Easy Speak
Even though Glasgow's pedigree of producing twee, folky-pop bands (Belle & Sebastian, Camera Obscura) is strong, few have been as relentlessly joyous as Maple Leaves. With their dreamy girl-boy vocals and penchant for colouring their songs with flute, piano and acoustic guitar, Maple Leaves are guaranteed to put the spring into anyone's summer.

SINGAPORE: I'm Waking Up To...
Force Vomit – Liberator
Surfing and punk-rock in the city state of Singapore don't necessarily go hand in hand due to the lack of any noteworthy waves (both literally and metaphorically). Enter Force Vomit, the antithesis of Singapore's two shortcomings with their brazen brand of surf-punk that takes the piss out of Singapore's sanitized idiosyncrasies and semblance of normal life. Sounding like a Dick Dale number cut by switchblades, Liberator should easily find a place in a Tarantino film.

SOUTH KOREA: Indieful ROK
Dringe Augh – Tutelar
Singer-songwriter Dringe Augh offers lovely songs full of lively guitar play. Over the years he has recorded several demos and his first official EP, Individually Wrapped, was released in June. On the new version of Tutelar, Dringe is accompanied by delightful female vocals from Eunjie Song of modern folk duo Sogyumo Acacia Band.

SWEDEN: Swedesplease
MAKTHAVERSKAN – German Boy
I was stumbling around the net (MySpace in particular) and came across this band called MAKTHAVERSKAN. I have since learned they are signed to Luxury. Consider this your introduction to the new 'it' band from Gothenburg. They are agit-pop combined with post-punk and a little bit of Joan Jett tunefulness.

VENEZUELA: Barquisimeto Musical
Gonzalo Teppa – De Conde A Principal
Gonzalo Teppa is a musician, composer and a breathtaking double-bass player. Born in Barquisimeto, he has wowed audiences in Mexico, Brazil, Spain, USA, Colombia and Bolivia. Downbeat Magazine has selected him as solo artist of the year twice. De Conde A Principal is a version of an original work from Venezuelan composer Aldemaro Romero. It belongs to his latest work, ConTrabajos De Aldemaro.

To download all 26 songs in one file click here

New and Recent Releases July 09

Sora Shima's third E.P. Destroy Electronica balances power, noise and beauty in five (sometimes lengthy) instrumentals. On E.P. opener 'Here be Dragons' the Hamilton drum, bass and guitar four piece create a moody, evocative soundscape, that shimmers and builds into thundering waves of sound. 'Calor Human' is more contemplative with a cello adding a warm touch, while 'Hello Big Sky' adds beats to the droning guitars. Sora Shima inhabit a position on the musical landscape close to Napier band Jakob, Dunedin's HDU, and defunct Christchurch band Barnard's Star. I wish I'd discovered this band earlier. At the Sora Shima website you'll find links to free downloads of two earlier E.P.s and info on how to get hold of Destroy Electronica. I've also posted a couple of Sora Shima clips on the video page - check out the video for 'Hovercraft' - it's really good.

Over the 30 odd year career of The Clean they've only released a handful of studio albums, but their reputation means each is eargerly awaited by fans around the world. They have taken their influences, punk, psychedelic pop, and more recently folk and eastern drones, and melded their own unique and instantly recognisible sound. The Clean are one of only a few kiwi musical acts who can be said to have had a global influence, cited as such by the likes of Pavement and Yo La Tengo. They've recently signed with American label Merge Records who will release Mister Pop in September, the band's first studio album, since 2001. The song 'In the Dreamlife You Need a Rubber Soul' is available from the Merge website as a free download. For more more info on the early days of the band check out Part 1 of National Radio's Flying Nun doco. There's a recent live clip on the video page.

The New Telepathics are led by Darren Harkness, born in Gore, and now living in Germany. Darren has a broad musical background, having played in rock group Dead Flowers, experimentalists From Scratch and indie group Spacesuit. The New Telepathics album Rudiments and Theories of Silence is a diverse collection of rich and complex songs ranging across, and melding, those various musical threads along with jazz and light touches of Afrobeat. Sometimes including up to ten members, The New Telepathics are an amazing live group. I've put a video of the group performing in studio on the video page and there are more songs at the Red Bull Studio site. There is a National Radio interview with Darren Harkness here (stream).

I've been a fan of Urbantramper since I heard the song 'Shitty Flat' on an A Low Hum compilation a few years ago. That song is a great example of the endearingly naive angst that is the subject of Urbantramper's introspective pop. The band are currently developing a loose manifesto, examining issues of music distribution and pricing and the impact of these on the relationship between artists and audience. As a result the band are experimenting with free and pay-what-you-want distribution of downloads. On the Urbantramper blog the band have recently made a number of new and past songs available for free but they will release a new album in September. Their last, 'Tokon and the Colours' is the only release currently available. You can buy it through Amplifier. There are Urbantramper clips on the video page and you can hear a National Radio live session here (stream).

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I've Been Everywhere Man (Round Hamilton)

I've got a bit of a thing about collecting songs named after New Zealand towns and locations and every once in a while I put together a Counting the Beat special featuring some of those songs. In this episode I focus in on a specific part of our country, the Waikato.

Waikato is where you will find the town that lent it's name to one of our best known place name songs, 'Taumaranui', who's heyday as a mid journey stop-off town in the days of rail was immortalised in song by Peter Cape. The song was initially banned by the NZ Broadcasting Service because of it's reference to the "sheila" serving tea.


The largest city in the Waikato is of course Hamilton, a city often ridiculed by those who don't live there for being a boring backwards place full of farmers. The Big Muffin Serious Band, a good time folk band who hail from Hamilton themselves, also have a go at lampooning the place on their song 'Hamilton'. The Big Muffin Serious Band have released two albums, Jabberwocky Goes to Town and Heavens to Murgatroyd. 'Hamilton' was written by Chris Thompson who also has a more serious folk career. His latest album Snapshot is available through Amplifier.

In the city of Hamilton you'll find a suburb called Hillcrest. That suburb was the subject of a an instrumental number called 'The Hillcrest Incident' by an unlikely outfit, The Hollow Grinders, unlikely because they're a surf guitar band in a land-locked city hours from the sea. You can download this song and a handful of others from the band's website.

Further up State Highway 1, towards the Northern reaches of Waikato, you'll find Huntly, a place best known for the two huge chimneys on the thermal power station sitting just out of town on the Waikato River. Surprisingly I have not one, but two songs about Huntly. 'What's Wrong With Huntly' by Hugh and The New Zealanders started as a gag but became a student radio hit and a popular download on Amplifier. The song 'Down in Huntly' is by The Winchesters, one of a clutch of bands that emerged a year or two back that were heavily influenced by The White Stripes and The Black Keys. After a bit of a hiatus while band members travelled they are back on the scene. Their 2008 4 track E.P. is a cracker.

Finally, a song not strictly named after a location but after an incident named after a location, 'The Battle of The Waikato' by The Howard Morrison Quartet. The HMQ were an all-round entertainment group delivering a a stage show of musical comedy, often playing on the fact the band were all Maori. 'The Battle of The Waikato' was recorded live on stage in the Auckland Town Hall and was released a single in 1959.

There are a couple of earlier place name specials here and here.

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Boys in Blue

The police are a surprisingly popular subject choice for musicians, albeit usually those at the punkier end of the spectrum. In the 1980s clashes between police and punks were not uncommon. It was the tactics of the special Auckland Task Squad team policing unit at one of their gigs that prompted The Newmatics to pen 'Riot Squad', a song that went on to have special poignancy during the 1981 Springbok rugby tour of New Zealand. The song was originally released on the Broadcast O.R. double 7" single and was later included in a retrospective collection of Newmatics material, Riot Squad where it was proceeded by a short piece incorporating an excerpt from Riot Squad with the sound of a police riot squad in action titled 'Cops 198111'.

Around the same time as The Newmatics tune a band called Riot 111 released a song of the same name. The song collaged English and Maori versions of the 'Ka mate' haka with the sound of the crowd roaring at protestors when they forced a test match cancellation during the Springbok tour. That song surprisingly reached the upper reaches of the singles charts, as did their second single 'Subversive Radicals' which reached number 19. Riot 111 continued witht he police theme on single 'Move to Riot' (featured on the podcast) and PR24, the name of the baton used by riot police. For more info on The Newmatics and Riot 111 check out the highly recommended blog Mysterex.

The Features, who are best known for their song 'City Scenes' which features on the AK79 compilation, were another band of the same era who made comment about the bullying attitude of the police on their song 'Police Wheels', a B-side to 'City Scenes'. The Features were a great post-punk band with rumbling bass and a guitar sound like shards of glass. They were blessed with the talented and innovative writing of Jed Towns, but also had a thing for performing Beatles covers. In recent times The Features have been back out and about on the live music scene and there are hopes that material recorded back in the day but never released may see the light of day.

It's not all in the past though. Twenty odd years on and Auckland ska punk band The Poisoners keep the traditions alive on their song Pt Chev Cops. And solo bearded folk/parodist Vorn gets stuck right into the cops on his cheeky number 'Get Better Work Stories' with lines like "There is no point calling the cops, they're too busy raping teenage girls". There is a great video for that song posted on the video page. Also featured on the podcast are Deja Voodoo with their take on seventies TV cop show themes, 'Funky Cop'.


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I Like Both Kinds of Music, Country and Western

Regular followers of Counting The Beat will know that I'm not averse to slipping the odd country number into the mix. Liking country music kind of took me by surprise. A few years back I would sooner have poked my eyes out with a rusty fork than listen to anything with a twang. Something happened though and now there are country albums in my all-time top 10.

Every year the New Zealand country music community celebrates and recognises their best at the Gold Guitar Awards. However, just about every year the interesting and innovative is overlooked in favour of cliched, big hats and checked shirt country. Take, for example, 2007. A great, thoughtful, lyrically powerful self titled album by the Warren Love Band sadly, but predictably lost out to the Topp Twins whose album Flowergirls and Cowgirls actually came out in 2005.

This year, however, a song I actually like has taken an award at the Gold Guitars. Jess Chambers (pictured above) won APRA best country song with 'Stringing Me Along' which comes from The Woolshed Sessions album which Jess participated in along with the likes of Lee Prebble and Age Pryor. The Woolshed Sessions is a nice album with a laid-back folky feel that means it gets played on National Radio and enough members of the super-cool Wellington music scene to also get airtime on the bnet stations. Jess's self titled album with the firefly Orchestra is also a great listen and you can hear a live performance recorded for National Radio (stream). There's a video for 'Stringing Me Along' on the video page along with a couple of others by, or featuring, Jess Chambers.

Also featured on the podcast are a couple of other kiwi country favourites that won't turn your brain to mush. 'Already Broken' is the title track from a 1999 album by Wellington band Pit Pony, a vehicle for the songs of Steven Hinderwell. It's a good album with nice touches of mandolin, banjo and lap stell along with vocals from Catherine George and Steve Roche along with a guest spot from Shihad's Jon Toogood. You may still be able to pick up a copy at Slowboat Records in Wellington.

The Shot Band are another Wellington group but they play a more rocky bar-room brand of country. In fact their first E.P. was titled Songs About Drinking and Dying. The band also released a self titled album in 2005, but have gone quiet since proposing a tour in 2008 that didn't come off. There's a 2006 performance recorded by National Radio here (stream) and a clip for the opening track from that album, 'My Lord' on the video page.

To finish I've got a classic from 1974 - Dawn Garmson with her song 'New Zealand needs a Country Hall of Fame' - yodels and all.

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Music Alliance Pact June 09

This month sees the seventh Counting The Beat contribution to an exciting international initiative, the Music Alliance Pact. On a monthly basis music bloggers from around the globe select a track from their own country which is then posted collectively and simultaneously on those blogs - giving each nation's track international exposure. This month's Counting The Beat is pleased to be contributing 'Brother' from Lisa Crawley's second E.P. Hello, Goodbye and Everything Inbetween. I've also posted a live TV performance of the song on the video page.

NEW ZEALAND: Counting The Beat

Lisa Crawley – Brother

Lisa Crawley is a multi-instrumentalist singer-songwriter who stands out from the crowd because of her voice and the playful arrangements of her folk-pop songs. Brother, from her second independently released EP Hello, Goodbye And Everything Inbetween, would be great on the basis of its plinky-plonk piano alone, but it's the trombone that lifts it to another level.

AMERICA: I Guess I'm Floating

Janelle Monae – Sincerely, Jane

The name Janelle Monae might ring a bell - she has guested on several OutKast songs and recently signed to Diddy's Bad Boy label. After seeing her energetic performance at Bonnaroo a few days ago I can say that she'll be one to keep a close eye on. Even if Sincerely, Jane doesn't do much for you, check out some live clips on YouTube to get the whole picture.

ARGENTINA: Zonaindie

Le Microkosmos – Es Un Hermoso Verano Lunar

Guillermo Beresñak and Pablo Retamero got together in January 2008 in Buenos Aires. From this union came Le Microkosmos, an electronic ensemble in constant search for new musical experiences with synths, programming, instruments, vocals and orchestral sampling. This quest led them to create their own cosmos from each sound, such as this acoustic-electronic ballad taken from their brand new album, Y Vas Donde Sonrisas Te Dan Esos Encapuchados De Un Mundo Nuevo.

AUSTRALIA: Who The Bloody Hell Are They?

Dappled Cities – The Price

One of Australia's, if not the world's, most exciting indie-rock bands, Dappled Cities are back with their third album, Zounds. It was written and recorded after an extensive period of touring their previous offering Granddance, a classic album in the minds of many critics. The Price is a fantastic taster for old and new fans alike, worthy of immediate playlisting.

BRAZIL: Meio Desligado

Júlia Says – Cá

Júlia Says have just released their second independent EP, Menos é Mais ("Less Is More"), in which the duo go deep inside electronica with some strong influences of dance-rock. The name of the band was taken from a children's story and it's a thing that helps us to connect to the fragile melancholy and beauty of Cá.

CANADA: I(Heart)Music

Wildlife – Sea Dreamer

How awesome is this song? So much so that when I saw them perform it during a soundcheck at a show in Ottawa recently, everyone in the room just watched in stunned silence and then exploded in wild cheers when it was done. To put that in context, that kind of thing never happens. But Sea Dreamer, in all its pounding, pulsing, marching-gleefully-into-the-apocalypse glory, is amazing enough to be the exception.

CHILE: Super 45

Valentina Fel – Circo Podrido

Full of aggressive beats, explosive sampling and social protest lyrics, Valentina Fel is the most logical evolution of a riot girl - punk almost in the realm of grime, do-it-yourself attitude with dancehall as a commodity and flamenco-injected defiance. Her long-awaited upcoming debut -to be release in the next few months - promises to be a massive earthquake in the dancefloor that nobody could anticipate.

DENMARK: All Scandinavian

Vomit Supreme – Versus Love

A new project by Mattis Jakobsen and Malte Hill of Straight To Your Face, Rock Hard Power Spray guitarist Frederik Valentin and recently joined by bassist Karsten D. Johansen (Strawberry Slaughterhouse), Vomit Supreme have long been an All Scandinavian favorite. Punk aggression spoon with pop hooks and with the mighty Versus Love spearheading their campaign, world domination should be nigh.

ENGLAND: The Daily Growl

Fanfarlo – I'm A Pilot

I'm A Pilot, the opening track on Fanfarlo's debut album Reservoir, sets the scene for what's to follow. It's a rich, heady brew of heavily orchestrated indie-pop which at times even feels like it's pulling its punches. It's the sound of a young band comfortable in their own grandiosity and as Reservoir carefully unfolds, it's impossible not to be swept along. From now until July 4 you can download the album from the Fanfarlo website for just $1, so you've no excuse for not owning it.

FINLAND: Glue

TV OFF – Car Is On Fire

What a summer hit song! Cool and sexy! Singer Sara delivers delicious pop melodies over Markku's electro bits and sounds. This duo from Helsinki are putting the final touches to their debut album, but they have already gained attention around the world, playing in London and Tokyo. Soon TV OFF will take over the world.

FRANCE: ZikNation

Phoenix – 1901

For too long Phoenix have been overshadowed by Daft Punk and Air, but no more. Even though Phoenix are four albums into an increasingly fruitful career, 1901 is possibly the most immediate and loveable thing they've ever created. An anthem for indie kids, a dancefloor filler for disco dwellers. It's for everyone really.

GERMANY: Blogpartei

High Voltage Humans – Laser Symphony (Catastrophy)

High Voltage Humans are a Munich-based electronic duo. The featured song is heavily energetic and balances guitar riffs with synth melodies sounding a bit like 80s space electro. It's a concrete four-to-the-floor flour-dust explosion.

ICELAND: I Love Icelandic Music

For A Minor Reflection – Óhljóð

For A Minor Reflection are a quartet from Reykjavík who play energetic, melodious, instrumental post-rock. They have earned comparisons to Explosions In The Sky and Godspeed You! Black Emperor. Óhljóð, which means "discordant noise", is taken from their 2007 debut album Reistu Þig Við, Sólin Er Komin Á Loft... ("Rise and shine, the sun's up...") on Blippr.com. Guitarist Kjartan Holm's older brother Georg plays bass in Sigur Rós, whom they supported on tour last year.

IRELAND: Nialler9

Sleep Thieves – Osumi

Taken from It Was Only A Satellite, the debut EP from this Dublin three-piece, Osumi showcases the bleep-assisted electronic edge of their sound before diverting into heady post-rock guitar progressions, while singer Sorcha repeats a mantra atop like a prototype Natasha Khan. Their yearning indie-electronic-pop sound is reminiscent of Lali Puna, Broadcast and The Notwist.

ITALY: Polaroid

My Awesome Mixtape – Me & The Washing Machine

I would have never expected to listen to an Italian band mix diverse sounds such as Anticon and The Postal Service, but when I heard My Awesome Mixtape I just had to change my mind. Infectious melodies and tight grooves, these young kids just seem to be unstoppable.

MEXICO: Club Fonograma

Los Amparito – Por Medio De La Lectura

Los Amparito is the mind-blowing, eccentric and absolutely sublime project of Carlos Pensina. He is relatively well known in Mexico's indie scene for his more electronic act Pepepe, but Los Amparito have enormous potential to break into international boundaries. This sound is like a distorted Mexican mirror of traditional music mashed with its own repetition, flourishing vocals and colorful sequences resulting in something between Animal Collective, Amparo Ochoa and El Guincho.

NORWAY: Eardrums

Firetop Mountain – How Can You Dance At A Time Like This?

Firetop Mountain are four boys and a girl from the Oslo area, who play indie-rock with a strong melodic focus. Just last week they released their debut album Indians Aren't Afraid Of Heights on their own label. Their music is sometimes powerful and energetic - songs you want to jump around to - and other times more laid-back and sensitive. Good songwriting all the way.

PERU: SoTB

Mi Jardín Secreto – Yo No Quiero Bailar Esta Noche

Mi Jardín Secreto's debut album, La Ciencia Y El Arte De La Falsificación, contains 11 songs that flit between new wave, alternative rock and the sound of modern bands. The theme of the lyrics is a mixture of the warmth and coldness of the city of Lima, with characters who have adventures in a place and climate familiar to us all.

PORTUGAL: Posso Ouvir Um Disco?

:papercutz – A Secret Search

What started as Bruno Miguel's music project is now a trio with female vocalist Marcela Freitas and multi-instrumentalist Francisco Bernardo. After appearances on various international compilations :papercutz are now signed to Montreal's Apegenine label, who released their debut album Lylac in February. In April, they were winners of the 'off the beaten track' category in The People's Music Awards in London.

ROMANIA: Babylon Noise

Luna Amara – Floodmoses

Luna Amara have been around for almost 10 years, during which they've managed to create an image and a name for themselves in Romania. From mellow alternative to angry metal sounds, their music is powerful and never fails to deliver its message. Floodmoses is taken from their recently released third album Don't Let Your Dreams Fall Asleep.

SCOTLAND: The Pop Cop

The Seventeenth Century – Traffic

If Arcade Fire's Wake Up moved you to your core then get ready to fall in love with Traffic. It has that soaring choral majesty, that sprawling orchestration and The Seventeenth Century clearly possess ambitions that are no less lofty. Having had a listen to the young Glasgow band's forthcoming In The Place EP, we can say without hesitation that you're looking at the best new band in Scotland.

SINGAPORE: I'm Waking Up To...

Concave Scream – Fiction

We visit one of Singapore's finest indie bands of the 90s with Concave Scream. Fiction, taken from their third album Three, hints at the flavors of DJ Shadow, The Cure, U2 and Butler-era Suede. It is a fine tune that could sum up the entire record with its use of ethereal vocals, otherworldly chorus-effected guitar lines and a blistering rhythm section. These days, Concave Scream are pushing the envelope of their musical whimsicality by releasing an instrumental fifth album that can be found on their website.

SOUTH KOREA: Indieful ROK

The Plastic Day – I Miss Me Myself

Post-punk/grunge trio The Plastic Day released their first full-length album, 30 Seconds Between The Dreamer And The Realist, only last month but already they've gotten unusually high coverage in Korea-related English language media online. With an intense rock sound paired with English lyrics, there's no reason why they won't get even further. I Miss Me Myself might be one of the softer songs on the album, but it's one that instantly spawns an impulse to hit the repeat button.

SWEDEN: Swedesplease

Chuck Morgan – The Best Of You

I don't know if there's a term for the sound of Chuck Morgan. The last post I did on this Gothenburg-based troubadour tried to peg him as "romantic indie-pop". His new song, The Best Of You, continues that sound but adds even more electronic beeps and blips to the mix.

To download all 24 songs in one file click here.

New Releases June 09

It's time for a round-up of new and recent releases. This time I've got an eclectic collection ranging from lounge bar chic to drunken revelry to the hushed tones of a museum exhibition hall.

Julien Dyne is a musician with a strong pedigree. He sits behind the drum kit for both The Opensouls and Tyra and The Tornadoes and he has worked with the who's who of the New Zealand downbeat and soul community. And he's a multi-talented guy - that's one of his artworks above. Dyne has recently released his debut album (he has previously released a 12" E.P. ) titled Pins and Digits. It combines drums, programmed beats and soul inspired brass and guest vocals in an intriguing but laid back style that sounded great on my deck in the sun but would also be just right in a dimly lit lounge bar (Well, I imagine it would, I never go to those kind of places, so how would I know). There's an interview with Julien from NZ Musician Magazine here and a commentary from Julien about the album from National Radio here (stream).

The Benka Borodovsky Bordello Band take accordion, clarinet, flute, violin and electric guitar and create a whirling dervish, a wild good-time combination of klezmer, gypsy music and punk-rock energy. They're sound like they aspire to be an Eastern European version of The Pogues. Their 2008 E.P. included many traditional tunes but it's stand-out track was a very good original, 'The Dance of Death' so it's nice to hear more originals on debut album Polkapocalypse alongside five traditional tunes and two covers, including one of The Dead Kennedy's. The album is out now on Monkey Records. It makes me chuckle to think of all those cool indie kids on Auckland's K Rd, getting down to the accordion. There are a bunch of BBBB videos on the video page, a 2008 live performance from National Radio here (stream), and an interview with singer Ben Cragg on Plains FM here.

The Sonic Museum project is an interesting idea. Nine musical artists were commissioned to write and record pieces of music that were inspired by, and are intended to enhance the experience of, a particular section of Auckland War Memorial Museum. The artists involved include jazz musicians (Nathan Haines), sound artists (Rachel Shearer, Phil Dadson) and musicians more familiar to a mainstream, pop audience like Don McGlashan and Tiki Taane. The music is available to be listened to at the museum, or can be purchased for download from the Sonic Museum site. The pieces differ markedly, although all of the artists, perhaps reflecting the somber, serious tones museums tend to evoke, have opted for evocative, ambient soundscapes. I haven't had the chance to hear the music in the museum environment, but listening at home I was disappointed that all the artists had taken that approach. There's room for a song or two, perhaps telling one of the many stories that the museum exhibitions convey. Still, the idea of collaboration between institutions like museums and galleries and musicians is a good one. It's also great when these type of institutions are used as venues, like the Auckland War Memorial Museum, Dunedin Public Art Gallery, Auckland Libraries, and I'm sure many others, have been. It's a great opportunity for a wider and different audience to experience live music and be exposed to new genres and artists.

Download the Counting The Beat - New Releases June 09 podcast

Image: The Forage by Julien Dyne, 2007, Oil on Canvas, City Art Rooms